Panbe ( the art of blacksmith )

The art of Panbe ( black smith ) is the tempering of iron in the furnace to make necessary items. The artisans make ox cart axle, ox cart iron, tyre, scissors, hammer, adze, pickaxe, knife, hatchet, axe, digging hoe and mattock. The Myanmar’s traditional blacksmith craft emerged in the early of Bagan period (11th century A.D) and it had improved in the mid Bagan Ava and Yadanapon period. Myanmar’s traditional blacksmith craft, from Inlay region were famous in the Yadanapon period.Many types of blacksmith craft articles are available, such as military armour, weapons, file, pickaxe, mattock, hoe sword, etc. The Myanmar’s traditional blacksmith craft is very famous in the South East Asia and constitute one of the artistic wonders of the world.

Panbu ( the art of sculpture )

The art of Panbu ( Sculpture ) means the one which produces figures and floral designs made of wood or ivory. The artisans make the figure of human beings and animals and floral designs. Myanmar’s traditional sculpture emerged before the Bagan period and it improved in the middle of Bagan Era. Myanmar’s sculpture base the religion of Buddhism which arrived from Southern India in the 11th century A.D.Most of the wood sculptures of Bagan and Ava periods have been lost under various circumstances and only a few are left today. One outstanding wood sculpture belonging to the Bagan period is the one at the old portal of Shwesigone pagoda at Nyaung-U. Those who want to see wood sculptures of Yatanapon (Mandalay) or latter Yadanapon periods should visit following places:

• Shwe-inbin Monastery, Mandalay
• Bakaya Monastery, Inwa

Myanmar’s traditional sculpture contains wood sculpture stone sculpture and plaster sculpture but more wood sculptures will be seen in many arts and crafts shops, in many cities of Myanmar. The wood sculptures are liked by many people in the world to-day.

Pantain ( the art of gold and silver smith )

The art of Pantain ( gold or silver smith ) is an enterprise of making items of gold or silver. Silver smith is the art of making drinking bowl, receptacle bowl, prize-cup, shield and belt. Gold smith is the art of making ear-plug, ear-drops, ear-ring, with a screw-on back piece, finger-ring bracelet , Pendent and necklace. Myanmar’s traditional arts and crafts artistic creation of gold and silver wares come under the genre (ba-dain) art of making items in gold or silver. Creating silverware had been with Myanmar for the past one thousand two hundered years, and judging from the workmanship of the silverware that belong to those early years, it is indeed something for the Myanmar’s to crow about. According to the crystal palace chronicles, during the reign of King Anawrahta the relices of Buddha and the three repositories of Buddhist scriptures were brought to Bagan from Suvunna Boumi, the mon capital, along with them came mon artisans and works of mon arts and crafts, gold and silverware etc. Going further back into the past, we find Pyu silver works of art discovered from the mounts of old shrines of Sri Ksetra.

Panchi ( the art of painting )

The art of Panchi ( painting ) is the one which illustrates living animals and inanimate objects using different colours. The artists paint the figures of human beings, animals, objects, scenery designs and cartoons. Myanmar traditional painting developed with the religion of Buddhism in the Bagan Region. Thus, Bagan become a repository of ancient Myanmar traditional paintings and sculptures in the 11th century A.D. Because of Myanmar artist’s achievements, we have more paintings of Konbaung period than those of Ava, they are more colourful and lively. During Yadanapon of Mandalay period more painting was done in folding books called purapaik and on canvas than on the wall. The wall paintings at Mahamuni Pagoda in Mandalay were executed in later Yadanapon period. Most of these paintings have been copied and collected by the Archaeological Department, Myanmar.

Panyun ( the art of making lacquer ware )

The art of Panyun ( Lacquerware ) means a handicraft which produces materials made of bamboo, wood and thick black varnish (sis-se). Lacquerware artisans produce alms food bowl, bowl for monk, and bowl of pickle tea, lacquer vessel, drinking cup, betel box, and cheroot box. Myanmar traditional lacquerware emerged in the early part of Bagan period. Myanmar traditional lacquer ware drawing styles derived from many stories of Buddha’s life. Burmese lacquerware is one such product, whose art goes back to the 11th century. On a framework of woven, finely cut strips of bamboo, mixtures of thit-see resin with clay and ash are carefully built-up and finally polished with the ash of fossil wood. The designs are then etched or painted by hand. The most traditional Burmese lacquerware is of a unique terracotta colour, with scenes from the jatakas, the Buddha’s former existence, etched and then filled in with green pigment. More modern designs are in deep, velvet black, with simpler figures laid on in gennine gold leaf. Many types of Burmese lacquerware articles are available, such as boxes, vases, trays, bowls and even coffee tables. Bagan, site of the architectural wonders of the East, is the home of this craft.